Benjy’s Sense of Smell

Benjy maintains order through his senses instead of linear time. He will often make mental notes that are purely observational. He does this with most of his senses, telling the readers about visual details like colors, what textures feel like, and the sounds he hears. What is most significant in regard to understanding Benjy’s state of mind is his sense of smell. If readers keep track of what Benjy smells, his feelings can be extrapolated, hence revealing a character more complex than initially perceived. Carolyn Porter said it best when she states that, “By learning what provokes various responses in Benjy, we find out what constitutes his world as well as who and what he is” (Porter 42). Benjy uses smell almost as a form of self-reassurance that all is well and can also tell when something is wrong or different. Smell is how he establishes familiarity and comfort between himself and the other characters.

Benjy frequently describes Caddy’s scent to be that of trees. Since his feelings toward Caddy are of intense fascination and love, he refers to her smell because when she is around, he is calm and happy. For example, after Caddy says she’ll run away, Benjy reacts by crying, “Hush now.’ She said. ‘I’m not going to run away.’ So I hushed. Caddy smelled like trees in the rain” (19). Once Benjy’s stability (that being Caddy’s presence) is established, he signifies that he is once again serene by mentally acknowledging her smell.

If Caddy’s smell is disrupted, Benjy becomes extremely distressed. Benjy interprets the lack of the tree smell as her leaving or dissociating from her family. When Caddy, wearing a “shining veil” comforts Benjy, he narrates, “I couldn’t smell trees anymore and I began to cry” (40). Since she is wearing a veil, it can be inferred that this is her wedding. The veil is a symbolic separation from her family and Benjy not smelling trees anymore is his way of knowing that Caddy is soon to leave.

There is also an earlier memory in which Benjy is upset when Caddy is holding a perfume bottle. He still notes that she smells like trees after reassuring him that she didn’t run away (42). However, he is upset about the perfume bottle which Caddy figures out. After having Benjy give the perfume to Dilsey, Caddy says, “We don’t like perfume ourselves” (43). Once again, Benjy notes that she smells like trees when he has a confirmation that Caddy isn’t leaving him. He symbolically linked this to her giving away the perfume. Benjy associates many family and close characters through natural smells. For example, his father (64) and Versh (68) are described as smelling like rain. Therefore, perfume as the opposite of natural scents is a sign of Caddy’s dissociation with family.

The other characters also recognize that Benjy’s sense of smell is how he knows what is happening. Caddy understood what the perfume symbolized to him and got rid of it to calm him down. When Mr. Compson dies, Benjy knows by the smell. “A door opened and I could smell it more than ever, and a head came out. It wasn’t Father. Father was sick there” (34). Multiple times, Benjy mentally notes when a character isn’t his father, implying that he knows he is dead. One of his caretakers, T.P., also recognizes that Benjy already knew of Mr. Compson’s death, “He smell it.’ T.P said” (34). The readers know Benjy is upset in this scene even though he never says he is crying because T.P. hushes him many times.

These scenes show that while Benjy doesn’t use linear time, his sense of smell keeps him aware. Additionally, there is a scene that differs from the above where Benjy says, “The bed smelled like T.P. I liked it” (29). Usually, the readers use Benjy’s physical reactions like crying or calmness to know how he feels. His narrative is almost purely action and observation rather than internal commentary. Here, however, Benjy states that he likes that the bed smells like T.P. in the form of a mental declarative statement rather than a physical reaction. This rare occasion is prompted by a smell. Like Carolyn Porter says, looking at what provokes these reactions is the key to Benjy. In an interview, Faulker said, “You can’t feel anything for Benjy because he doesn’t feel anything” (Wasson 233). However, Benjy used the declarative statement, “I liked it” (29) which implies that he is more complex than Faulkner may have intended. By using a declarative statement, Benjy shows he is capable of feeling rather than only observing and physically reacting.

Faulkner and the Jim Crow South

Thought you might appreciate a post on the New York Review of Books site on Faulkner. Michael Gorra observes that Faulkner was steeped in the culture and politics of the “Jim Crow” era of radical segregation that dominated the U.S. South between 1875 and the late 1960s (and beyond). There are references to several of the novels we will read, including TSAF, LIA, and AA:

The Jim Crow South in Faulkner’s Fiction | Michael Gorra

There is a deep congruity between the movements of Faulkner’s mind, with its sense of an inescapable family trauma, and the history and culture of his region, so deep that it hardly seems possible to distinguish between them. So many of the ills he describes are with us still.